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The Killers at the Murat
Visually, the Killers made the Murat a luminous wonderland. Marquee lights, mirrors and palm trees dominated the stage and referenced the band's Sin City home. Eleven disco balls were deployed to enhance "A Dustland Fairytale," while red lights and smoke machines made the opening moments of "For Reasons Unknown" resemble Francis Ford Coppola's vision of Vietnam in "Apocalypse Now."
